Peter Morgan’s The Crown returns to Netflix having more or less taken up the same place in our viewing habits as the real Elizabeth II has in the national psyche. Come what may, every year or so a new season of Morgan’s chronicling of the life and times of the Queen will pop up in our streaming queue, brimming with state-of-the-art-production values and mahogany-solid acting. If it’s possible to make a thoughtful and internalised drama about the Monarchy during the 1980s – the era of big hair and even bigger scandals – Morgan has found a way.
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